夜总会题材最容易踩的坑,是把女性当作欲望的符号,或者当作男性世界的奖品与背景。显然,这种书写方式无法回应现实,尽管它几乎是过去的惯用模式。《夜王》在这一点上做了关键调整:女性角色被放回“行业结构”中,而不是被放在“男性目光”里。影片中的女性不再只是被观看者,而是规则的理解者、执行者与承受者。
Hilariously cast as the most boring person in this movie, Blanchett nonetheless exudes a quiet anxiety, offering pangs for every passive aggression from Krieps' provocateur. Then Rampling adds a primly prickly veneer that's sharply funny. For instance, when all three realize they're wearing red (a tailored dress, a modest turtleneck, a frayed novelty sweater), the mother declares it "embarrassing," pushing her daughters into opinions that throw them into cringeworthy opposition.
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